city
the city re-imagined
city montage – origins and transformations montage extracted from its origins in modern engineering and construction is propelled as part of the artist’s technical apparatus to re-imagine the city in crisis. dublin, paris, berlin and moscow become the spatial origins
the city re-imagined
city montage – origins and transformations montage extracted from its origins in modern engineering and construction is propelled as part of the artist’s technical apparatus to re-imagine the city in crisis. dublin, paris, berlin and moscow become the spatial origins
roadworks.
#artinstallation #foundobjects #concreteadditions #roadworks #artworks #montagecity. https://montagecity.com View on Instagram https://instagr.am/p/B-j_RcFnD4g/
roadworks.
#artinstallation #foundobjects #concreteadditions #roadworks #artworks #montagecity. https://montagecity.com View on Instagram https://instagr.am/p/B-j_RcFnD4g/
keep your distance.
#keep_between_the_lines #concrete_keep_safe #barrier #roadRage #foundobjects #objetrouve #montagecity htps://montagecity.com View on Instagram https://instagr.am/p/B-j-6u2nYNq/
keep your distance.
#keep_between_the_lines #concrete_keep_safe #barrier #roadRage #foundobjects #objetrouve #montagecity htps://montagecity.com View on Instagram https://instagr.am/p/B-j-6u2nYNq/
montage.city: constructive montage and the image of the city
montage.city : constructive montage and the image of the city constructive montage my phd by project attempts to place an interdisciplinary practice that involves art, architecture and photography into a philosophical frame, but one firmly rooted in praxis; and [pre]historically
montage.city: constructive montage and the image of the city
montage.city : constructive montage and the image of the city constructive montage my phd by project attempts to place an interdisciplinary practice that involves art, architecture and photography into a philosophical frame, but one firmly rooted in praxis; and [pre]historically
merry men – newlyn’s dancing stones
newlyndancingstones view pdf conceived as a provocation, the merry men – newlyn’s dancing stones, is not a intended as a replica, but a translation of the merry maiden stone circle or ‘dans maen’, situated to newlyn’s west just above lamorna cove. each one
merry men – newlyn’s dancing stones
newlyndancingstones view pdf conceived as a provocation, the merry men – newlyn’s dancing stones, is not a intended as a replica, but a translation of the merry maiden stone circle or ‘dans maen’, situated to newlyn’s west just above lamorna cove. each one
trencrom tor enclosure
trencrom. with evidence of it as a neolithic tor enclosure and a iron age hill fort, the long term occupation of trencrom hill underlines its importance in the cosmology of many generation of prehistoric peoples. tor enclosures seem to have a
trencrom tor enclosure
trencrom. with evidence of it as a neolithic tor enclosure and a iron age hill fort, the long term occupation of trencrom hill underlines its importance in the cosmology of many generation of prehistoric peoples. tor enclosures seem to have a
montage-modernity-and the wild west
montage with its spatial origins in dublin (joyce), paris (surrealism), berlin (dada, brecht, hartmann)) and moscow (eisenstein vertov), the increasingly fragmented world gives rise to the the technique of fragment. benjamin sees the passagenwork as a lexicon of capitalist modernity, its
montage-modernity-and the wild west
montage with its spatial origins in dublin (joyce), paris (surrealism), berlin (dada, brecht, hartmann)) and moscow (eisenstein vertov), the increasingly fragmented world gives rise to the the technique of fragment. benjamin sees the passagenwork as a lexicon of capitalist modernity, its
city montage. moscow. vertov.
the kino-eye. our montage goes through a whole series of stages. it begins with observations on a definite theme. this theme includes a given number of phenomena in a given place. and this first editing is done with nothing in hand,
city montage. moscow. vertov.
the kino-eye. our montage goes through a whole series of stages. it begins with observations on a definite theme. this theme includes a given number of phenomena in a given place. and this first editing is done with nothing in hand,
city montage. berlin. brecht.
brecht. his ‘epic theatre proceeds by fits and starts, in the manner comparable to the images on a film strip’. here the principle of montage draws attention to the content of the work- its form is sublated (aufheben). its technique is
city montage. berlin. brecht.
brecht. his ‘epic theatre proceeds by fits and starts, in the manner comparable to the images on a film strip’. here the principle of montage draws attention to the content of the work- its form is sublated (aufheben). its technique is
city montage – dublin. joyce.
in ulysses, joyce constructs a montaged life of the city over the course of 24 hours. this process of decomposition and reconstruction relates it the cinematic montage of eisenstein and vertov that embraces the city’s discontinuity, conflict and contradiction. but he further differentiates his
city montage – dublin. joyce.
in ulysses, joyce constructs a montaged life of the city over the course of 24 hours. this process of decomposition and reconstruction relates it the cinematic montage of eisenstein and vertov that embraces the city’s discontinuity, conflict and contradiction. but he further differentiates his
ulysses. molly-moon
her antiquity in preceding and surviving succeeding tellurian generations: her nocturnal predominance: her satellitic dependence: her luminary reflection: her constancy under all her phases, rising and setting by her appointed times, waxing and waning: the forced invariability of her aspect: her indeterminate response to in-affirmative
ulysses. molly-moon
her antiquity in preceding and surviving succeeding tellurian generations: her nocturnal predominance: her satellitic dependence: her luminary reflection: her constancy under all her phases, rising and setting by her appointed times, waxing and waning: the forced invariability of her aspect: her indeterminate response to in-affirmative
gobekli tepe
göbekli tepe (turkish for ‘hill with a tummy’), which is a hilltop sanctuary built on the highest point of an elongated mountain ridge about 15km northeast of the town of şanlıurfa (urfa)in southeast turkey. it is said to have been
gobekli tepe
göbekli tepe (turkish for ‘hill with a tummy’), which is a hilltop sanctuary built on the highest point of an elongated mountain ridge about 15km northeast of the town of şanlıurfa (urfa)in southeast turkey. it is said to have been
megalithic trails
gobekli tepe. large ceremonial complexes dating from the 9th millennium BC have been discovered at a number of sites in eastern turkey. they belong to the incipient phases of agriculture and animal husbandry. large circular structures involving carved megalithic orthostats are
megalithic trails
gobekli tepe. large ceremonial complexes dating from the 9th millennium BC have been discovered at a number of sites in eastern turkey. they belong to the incipient phases of agriculture and animal husbandry. large circular structures involving carved megalithic orthostats are
early neolithic cities
catal huyuk was one of the world’s first cities and its ruins demonstrate the agricultural techniques of some of the human race’s first farmers. this settlement, located in the present day country of turkey, contained about 1,000 residences by the
early neolithic cities
catal huyuk was one of the world’s first cities and its ruins demonstrate the agricultural techniques of some of the human race’s first farmers. this settlement, located in the present day country of turkey, contained about 1,000 residences by the
constructive montage
constructive montage — i chose this as the title of my phd, with the understanding that this corresponded most closely with the way which (my) practice (practice in general) contributed to praxis – that is the dialectic between theory, practice or the practical, and
constructive montage
constructive montage — i chose this as the title of my phd, with the understanding that this corresponded most closely with the way which (my) practice (practice in general) contributed to praxis – that is the dialectic between theory, practice or the practical, and