city landscapes
no_idea, accidental_photo, random_shot….
no_idea, accidental_photo, random_shot….
zennor quoit.
dolmen are amongst the earliest monuments to appear on the penwith peninsular with their careful positioning within the landscape. this one on the plateau below and east of zennor hill and south of the outcrops and quoit at sperris. zennor
zennor quoit.
dolmen are amongst the earliest monuments to appear on the penwith peninsular with their careful positioning within the landscape. this one on the plateau below and east of zennor hill and south of the outcrops and quoit at sperris. zennor
kennington reflection.
mirror-image, drive-past, council-flats, montage, photography, modern-archeaology, the-modernist-image, modernity, on-the-road, dialectical-image. lee friedlander, hillcrest, new york, 1970 https://www.nga.gov/collection/art-object-page.118646.html
kennington reflection.
mirror-image, drive-past, council-flats, montage, photography, modern-archeaology, the-modernist-image, modernity, on-the-road, dialectical-image. lee friedlander, hillcrest, new york, 1970 https://www.nga.gov/collection/art-object-page.118646.html
possible stone row. gloucester cathedral .
possible stone row. gloucester cathedral . rethinking our (henry|seaton) installation in the garth of gloucester cathedral in the light of recent work. these cast concrete pieces were seen as ‘the critical ante-chambers containing material that appears both ancient and modern… it takes the shape of a criciform with its northern ‘transept’ truncated and set againt the ‘monks lavatory’ in the north walk cloisters. this emulates the layout of the cathedral proper with its unequal transepts, but with the direction of the ‘nave’ reflected from east to west. the death of objects suggested in the construction of the work, their strange resemblance to sarcophagus makes their siting within the common ground of the cathedral and close to its once daily bodily functions emphasises the juxtapostion between the sacred and profane contained within the work-in-progress-chamber
possible stone row. gloucester cathedral .
possible stone row. gloucester cathedral . rethinking our (henry|seaton) installation in the garth of gloucester cathedral in the light of recent work. these cast concrete pieces were seen as ‘the critical ante-chambers containing material that appears both ancient and modern… it takes the shape of a criciform with its northern ‘transept’ truncated and set againt the ‘monks lavatory’ in the north walk cloisters. this emulates the layout of the cathedral proper with its unequal transepts, but with the direction of the ‘nave’ reflected from east to west. the death of objects suggested in the construction of the work, their strange resemblance to sarcophagus makes their siting within the common ground of the cathedral and close to its once daily bodily functions emphasises the juxtapostion between the sacred and profane contained within the work-in-progress-chamber
standing with stones 2. foundry lane, china garden/the swordfish inn.
standing with stones #2. foundry lane, china garden/the swordfish inn. pipers 2. part of a proposal to transpose the merry maidens complex of stone circle and outliers to the promenade and town of newlyn. public gardens newlyn art gallery. henry|seaton pipers
standing with stones 2. foundry lane, china garden/the swordfish inn.
standing with stones #2. foundry lane, china garden/the swordfish inn. pipers 2. part of a proposal to transpose the merry maidens complex of stone circle and outliers to the promenade and town of newlyn. public gardens newlyn art gallery. henry|seaton pipers