Posts Tagged 'montagecity'
bodmin-moor, a neolithic constellation; leskernick-stone-circle. leskernick hill loganstone. roughtor.
a sketch montage of three elements; a flattened stone circle (lesternick) with most of its individual stones laid down to rest, as are so many head stones now found in many modern cemeteries; a loganstone (lesternick hill), a large balancing
bodmin-moor, a neolithic constellation; leskernick-stone-circle. leskernick hill loganstone. roughtor.
a sketch montage of three elements; a flattened stone circle (lesternick) with most of its individual stones laid down to rest, as are so many head stones now found in many modern cemeteries; a loganstone (lesternick hill), a large balancing
finally, the beginning of the beginning. 5×7 large format photography.
now for the experiments in 5×7 large format photography with my diy hybrid lens/pinhole sliding box camera utilising a 184mm f4.5 projector lens with a ground glass focusing screen and double dark slides and paper negatives.
finally, the beginning of the beginning. 5×7 large format photography.
now for the experiments in 5×7 large format photography with my diy hybrid lens/pinhole sliding box camera utilising a 184mm f4.5 projector lens with a ground glass focusing screen and double dark slides and paper negatives.
king aurthur’s moor. from place to place. light drawing.
king arthur’s moor. from place to place. light drawing. a non-intrusive intervention originally carried out on dungeness beach. a project proposition for king arthur’s hall. as with all works of installation or landart the intervention brings with it a sense
king aurthur’s moor. from place to place. light drawing.
king arthur’s moor. from place to place. light drawing. a non-intrusive intervention originally carried out on dungeness beach. a project proposition for king arthur’s hall. as with all works of installation or landart the intervention brings with it a sense
cochno stone. 2500bce? southwater hastings. 2014
1. cochno stone, 2500bce? in the summer of 1937 the glasgow antiquarian ludovic mann, in an attempt to make the stone’s artwork readable, painted the prehistoric cup and ring symbols of the stone and overlayed the stone with a grid
cochno stone. 2500bce? southwater hastings. 2014
1. cochno stone, 2500bce? in the summer of 1937 the glasgow antiquarian ludovic mann, in an attempt to make the stone’s artwork readable, painted the prehistoric cup and ring symbols of the stone and overlayed the stone with a grid
drizzlegate drizzlecombe stone row / aldgate high street installation.
drizzlegate
drizzlecombe stone row. the bone stone.(4000/3200BCE) dartmoor. of the three stone rows present on the complex, row two, the eastern row is terminated by the tallest standing stone on dartmoor. being 4.2m in height with a distinctive bulging profile at the top. worth speculates it was dragged here from higher hartor tor about 1km away. this single line stone row runs uphill away from the the bone stone, is the shortest of the three rows at 83.2m, but has larger slabs set further apart with the largest near its culminating cairn. all three stone rows culminate in cairns and a forth has no row attached but seems part of a line of culminating cairns. further up the slope is an extensive settlement complex of round houses and enclosures. the stone row is orientated 42º east of grid north and at 3.00pm on the winter solstice the bone stone shadow aligns with its stone row.
image: the bone stone from the east. latitude: 50.485852N longitude: 03.985946W
aldgate high street installation.(2013/2015) between minors and jewry street. aldgate marks the eastern gateway to the historic city of london and the roman road leading to whitechapel and beyond. the installation ‘an elevated temple’ by studio weave, commemorating aldgate’s distinguished literary resident, geoffrey chaucer. encountered on a derive through the city in 2014 seeking out modern menhir. its slender legs suggesting an affinity to the monuments of prehistory, and to the speculation that they too were painted. .
image, the decorated legs of an installation, paleys upon pilers. latitude: 51.308188N longitude: 04.597524
constructive montage : the juxtaposition of incommensurate things
more at montagecity.com
drizzlegate drizzlecombe stone row / aldgate high street installation.
drizzlegate
drizzlecombe stone row. the bone stone.(4000/3200BCE) dartmoor. of the three stone rows present on the complex, row two, the eastern row is terminated by the tallest standing stone on dartmoor. being 4.2m in height with a distinctive bulging profile at the top. worth speculates it was dragged here from higher hartor tor about 1km away. this single line stone row runs uphill away from the the bone stone, is the shortest of the three rows at 83.2m, but has larger slabs set further apart with the largest near its culminating cairn. all three stone rows culminate in cairns and a forth has no row attached but seems part of a line of culminating cairns. further up the slope is an extensive settlement complex of round houses and enclosures. the stone row is orientated 42º east of grid north and at 3.00pm on the winter solstice the bone stone shadow aligns with its stone row.
image: the bone stone from the east. latitude: 50.485852N longitude: 03.985946W
aldgate high street installation.(2013/2015) between minors and jewry street. aldgate marks the eastern gateway to the historic city of london and the roman road leading to whitechapel and beyond. the installation ‘an elevated temple’ by studio weave, commemorating aldgate’s distinguished literary resident, geoffrey chaucer. encountered on a derive through the city in 2014 seeking out modern menhir. its slender legs suggesting an affinity to the monuments of prehistory, and to the speculation that they too were painted. .
image, the decorated legs of an installation, paleys upon pilers. latitude: 51.308188N longitude: 04.597524
constructive montage : the juxtaposition of incommensurate things
more at montagecity.com