Posts Tagged 'photography'

montagecity

Tagged: diycamera photography largeformatphotography 5×7 5x7camera montagecamera cameraassembly bitsandpieces.

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montagecity

Tagged: diycamera photography largeformatphotography 5×7 5x7camera montagecamera cameraassembly bitsandpieces.

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kennington reflection.

mirror-image, drive-past, council-flats, montage, photography, modern-archeaology, the-modernist-image, modernity, on-the-road, dialectical-image. lee friedlander, hillcrest, new york, 1970 https://www.nga.gov/collection/art-object-page.118646.html

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kennington reflection.

mirror-image, drive-past, council-flats, montage, photography, modern-archeaology, the-modernist-image, modernity, on-the-road, dialectical-image. lee friedlander, hillcrest, new york, 1970 https://www.nga.gov/collection/art-object-page.118646.html

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reflection refraction#1 montagecity.com

reflection refraction#1
montagecity.com

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reflection refraction#1 montagecity.com

reflection refraction#1
montagecity.com

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bowl rock tresithney st ives.

bowl rock tresithney st ives. folk lore suggests this is the result of a game of bowls between the giant at tremcrom hill and the giant living at st michaels mount and was deposited here as in the process. giants

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bowl rock tresithney st ives.

bowl rock tresithney st ives. folk lore suggests this is the result of a game of bowls between the giant at tremcrom hill and the giant living at st michaels mount and was deposited here as in the process. giants

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writing in light – history, philosophy and photography

   there has always been ‘photography’ – the writing of light emerging as it did  on the walls of ancient tombs its ‘photograph’ fixed by the cardinal alignments, the chamber acting as a camera, the box opening its lens to

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writing in light – history, philosophy and photography

   there has always been ‘photography’ – the writing of light emerging as it did  on the walls of ancient tombs its ‘photograph’ fixed by the cardinal alignments, the chamber acting as a camera, the box opening its lens to

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the photograph

if there can be no history without writing and if its true reflection can only be grasped at its point of arrest, then for benjamin historical thinking requires a mode of writing that can remain faithful to this movement of

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the photograph

if there can be no history without writing and if its true reflection can only be grasped at its point of arrest, then for benjamin historical thinking requires a mode of writing that can remain faithful to this movement of

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