photo-works
men_an_tol no 2
men_an_tol no 2
henry/seaton. new work.
henry/seaton. new work. work in progress. photo_image becomes extended into the spatial. in this case 30million years of geological rock strata captured by a modernist construction. below the beach is the pavement or something like that mash-up
henry/seaton. new work.
henry/seaton. new work. work in progress. photo_image becomes extended into the spatial. in this case 30million years of geological rock strata captured by a modernist construction. below the beach is the pavement or something like that mash-up
plywood forms. lying down -standing up. against the wall or on the floor.
plywood forms. lying down -standing up. against the wall or on the floor. work in progress. #plywood #hybrid_forms #not_art #henry|seaton instagram: https://ift.tt/2w03wAq
plywood forms. lying down -standing up. against the wall or on the floor.
plywood forms. lying down -standing up. against the wall or on the floor. work in progress. #plywood #hybrid_forms #not_art #henry|seaton instagram: https://ift.tt/2w03wAq
samhallceramics. pots on table tops.
samhallceramics. pots on table tops. tables are here a means of display but more generally where we gather to eat talk and work. we like tables. #socialable #long_tables #samhallceramics #tabletop #lemonstreetgallery. plywood tables by henry|seaton|hall. instagram: https://ift.tt/2nqSgJw
samhallceramics. pots on table tops.
samhallceramics. pots on table tops. tables are here a means of display but more generally where we gather to eat talk and work. we like tables. #socialable #long_tables #samhallceramics #tabletop #lemonstreetgallery. plywood tables by henry|seaton|hall. instagram: https://ift.tt/2nqSgJw
two_long_tables. plywood tables with tapered corner legs.
two_long_tables. #long_tables #samhallceramics #table_tops #display. plywood tables with tapered corner legs. more from henry|seaton|hall from instagram: https://ift.tt/2MdIqcX
two_long_tables. plywood tables with tapered corner legs.
two_long_tables. #long_tables #samhallceramics #table_tops #display. plywood tables with tapered corner legs. more from henry|seaton|hall from instagram: https://ift.tt/2MdIqcX
table henry|seaton
table|seaton
work_shop#4. table_detail
work_shop#4. table_detail #reitveld_homage #henry|seaton from instagram: https://ift.tt/2l4vZjv
work_shop#4. table_detail
work_shop#4. table_detail #reitveld_homage #henry|seaton from instagram: https://ift.tt/2l4vZjv
work_shop#4.5 henry|seaton
work_shop#4.5|seaton
work_shop#4.5 henry|seaton
work_shop#4.5|seaton
work_shop#3.5 henry|seaton
work_shop#3.5|seaton
work_shop#3.5 henry|seaton
work_shop#3.5|seaton
hybrid_object. _rexhenry
hybrid_object. _rexhenry #wall_work #theconcrete #notsculpture from instagram: https://ift.tt/2JkXBvk
hybrid_object. _rexhenry
hybrid_object. _rexhenry #wall_work #theconcrete #notsculpture from instagram: https://ift.tt/2JkXBvk
work_shop#3 beech squared circles
work_shop#3|seaton
work_shop#3 beech squared circles
work_shop#3|seaton
work_shop#2. spalted beech bench
work_shop#2 #bench_mark #spaltedbeech #notyet #henry|seaton from instagram: https://ift.tt/2kRl38H
work_shop#2. spalted beech bench
work_shop#2 #bench_mark #spaltedbeech #notyet #henry|seaton from instagram: https://ift.tt/2kRl38H
paper_boy. alfred_ehrhardt
paper_boy. #photomontage #alfred_ehrhardt #image_text #grafa #fotographics from instagram: https://ift.tt/2Hn0v0U
paper_boy. alfred_ehrhardt
paper_boy. #photomontage #alfred_ehrhardt #image_text #grafa #fotographics from instagram: https://ift.tt/2Hn0v0U
john_heartfield. #image_text. #maria_lietner #eça_de_queiroz #ilja_ehnrenburg #upton_sinclair #book_covers from instagram: https://ift.tt/2Jdm7me
work_shop#1. six legged side table.
work_shop#1. 6 legged side table. 3 legged wall shelf x2 #hybrid_furniture #henry|seaton from instagram: https://ift.tt/2JkSYkW
work_shop#1. six legged side table.
work_shop#1. 6 legged side table. 3 legged wall shelf x2 #hybrid_furniture #henry|seaton from instagram: https://ift.tt/2JkSYkW
dog_eared_hays henry|seaton
dog_eared_hays|seaton
dog_eared_hays henry|seaton
dog_eared_hays|seaton
polynesian head ar_fiveshillings. #1953.
ar_fiveshillings. #1953.
polynesian head ar_fiveshillings. #1953.
ar_fiveshillings. #1953.
head_drum is_tomorrow
head_drum is_tomorrow
archetypal_shed. patio pavilion, alison and peter_smithson and others
archetypal_shed. patio + pavilion+peter_smithson+modern.
archetypal_shed. patio pavilion, alison and peter_smithson and others
archetypal_shed. patio + pavilion+peter_smithson+modern.
concrete object. henry|seaton.
concrete object. henry|seaton. the work, which we have described as >negative objects< comes about through a casting process using concrete form-work.
using found, disused elements of styrene packaging, we in part, reverse ‘engineer’ a series of pre-existing commodity objects.
these negative_objects are formed by re-assembling the disparate parts that make up this ’after-image’ of the original object and adding a material which has a history that certainly goes back to the romans and in itself becomes solid over an extended period of time (through a process of hydration).
in that sense each object has a history built in.
these objects are in fact in a continuous process of becoming solid, and therefore more definitive, more real. hopefully they become less abstract – and more connected – the more they sit in the world, with their physical appearance reflecting these small molecular changes – they in fact, become ‘more concrete’.
the tangible, palpable nature of this physical alteration over time brings it into a direct collision with its inherent abstracted form.
the concrete. the juxtaposition of its 19th century use to describe a composite material that becomes solid through the chemical process of hydration and its meaning as something which exists in the material world, that is real and solid, that is not abstract, might be a way our work can be defined and understood-work|seaton
concrete object. henry|seaton.
concrete object. henry|seaton. the work, which we have described as >negative objects< comes about through a casting process using concrete form-work.
using found, disused elements of styrene packaging, we in part, reverse ‘engineer’ a series of pre-existing commodity objects.
these negative_objects are formed by re-assembling the disparate parts that make up this ’after-image’ of the original object and adding a material which has a history that certainly goes back to the romans and in itself becomes solid over an extended period of time (through a process of hydration).
in that sense each object has a history built in.
these objects are in fact in a continuous process of becoming solid, and therefore more definitive, more real. hopefully they become less abstract – and more connected – the more they sit in the world, with their physical appearance reflecting these small molecular changes – they in fact, become ‘more concrete’.
the tangible, palpable nature of this physical alteration over time brings it into a direct collision with its inherent abstracted form.
the concrete. the juxtaposition of its 19th century use to describe a composite material that becomes solid through the chemical process of hydration and its meaning as something which exists in the material world, that is real and solid, that is not abstract, might be a way our work can be defined and understood-work|seaton
bench. henry|seaton_objects
bench. henry|seaton_objects
bench. henry|seaton_objects
bench. henry|seaton_objects
time_lapse. camera lenses c1960-2014. boxford lathe parts. c1950-1960
time_lapse. camera lenses c1960-2014. boxford lathe parts. c1950-1960
time_lapse. camera lenses c1960-2014. boxford lathe parts. c1950-1960
time_lapse. camera lenses c1960-2014. boxford lathe parts. c1950-1960
carreg waun llech standing stone. 51.8187 -3.2512. llangynidr/sw_orientation
carreg waun llech standing stone. 51.8187 -3.2512. llangynidr/sw_orientation
carreg waun llech standing stone. 51.8187 -3.2512. llangynidr/sw_orientation
carreg waun llech standing stone. 51.8187 -3.2512. llangynidr/sw_orientation
model_revisited.
model_revisited. projects are worth revisiting years later to extract another reading/ repurposing. there have been sitting on top on my library selves for a while without seeing them. moved it recencenty to a dedicated room recently and quite liked the look of them
model_revisited.
model_revisited. projects are worth revisiting years later to extract another reading/ repurposing. there have been sitting on top on my library selves for a while without seeing them. moved it recencenty to a dedicated room recently and quite liked the look of them
model_bookroom
model_bookroom. #form #spatial #books #bookroom #model #construction #archaeology #lenin_on_language #all_that_is_solid_melts_into_air from instagram: http://ift.tt/2DqkXMt
model_bookroom
model_bookroom. #form #spatial #books #bookroom #model #construction #archaeology #lenin_on_language #all_that_is_solid_melts_into_air from instagram: http://ift.tt/2DqkXMt
table_#1. industrial metalwork
table_#1
table_#1. industrial metalwork
table_#1
little_boxes
little_boxes to-workshop
micro-adjust dro-read-out #.01
micro-adjust dro-read-out #.01
micro-adjust dro-read-out #.01
micro-adjust dro-read-out #.01