Posts Tagged 'abstraction'
upperpaleolithic? aurignacian? magdalenian? pech-merle?
upperpaleolithic ? aurignacian ? magdalenian ? pech-merle? interpenetrating figures. finger drawing ? transparency simultaneity movement could be, but no it’s an early jackson pollock influence by joan miró picasso and joan sobel ‘ i continue to get further away from the usual painter’s tools such as easel, palette, brushes, etc. i prefer sticks, trowels, knives and dripping fluid paint or a heavy impasto with sand, broken glass or other foreign matter added.’ pollock. the-merle ceiling – see previous post – was described by hans arp when shown the ceiling from the ‘hall of the hieroglyphs’ and referring to the half eyes closed drawings he and his wife sophie produced ‘now under lowered lids the inner movement streams untainted to the hand.in a darkened room it is easier to follow the guidance of this inner movement than in the open air. a conductor of inner music, the great designer of prehistoric images worked with eyes turn inwards. so the drawings gain in transparency; open to interpenetrations to sudden inspiration to recovery of the inner melody, to the circling approach; and the whole is transmitted into one great exhalation’ true of pollock as it is of the artists of pech- merle
montagecity.com
upperpaleolithic? aurignacian? magdalenian? pech-merle?
upperpaleolithic ? aurignacian ? magdalenian ? pech-merle? interpenetrating figures. finger drawing ? transparency simultaneity movement could be, but no it’s an early jackson pollock influence by joan miró picasso and joan sobel ‘ i continue to get further away from the usual painter’s tools such as easel, palette, brushes, etc. i prefer sticks, trowels, knives and dripping fluid paint or a heavy impasto with sand, broken glass or other foreign matter added.’ pollock. the-merle ceiling – see previous post – was described by hans arp when shown the ceiling from the ‘hall of the hieroglyphs’ and referring to the half eyes closed drawings he and his wife sophie produced ‘now under lowered lids the inner movement streams untainted to the hand.in a darkened room it is easier to follow the guidance of this inner movement than in the open air. a conductor of inner music, the great designer of prehistoric images worked with eyes turn inwards. so the drawings gain in transparency; open to interpenetrations to sudden inspiration to recovery of the inner melody, to the circling approach; and the whole is transmitted into one great exhalation’ true of pollock as it is of the artists of pech- merle
montagecity.com
early jackson pollock? transparency, simultaneity. abstraction.
early jackson pollack? transparency and simultaneity. abstraction . a mindful reality. stimulated by the visual world but not bounded by it. not simple representation but artful abstracting. jackson pollack ? could be a disciption of his ‘modernist’ proseedure . no. a drawing, an over drawing an over and over drawing on a ceiling in a cave shelter in the dordogne valley 17-12000 year BP. a careful examination will reveal many outlines of animals overdrawn many times perhaps from the desire to make them move…
early jackson pollock? transparency, simultaneity. abstraction.
early jackson pollack? transparency and simultaneity. abstraction . a mindful reality. stimulated by the visual world but not bounded by it. not simple representation but artful abstracting. jackson pollack ? could be a disciption of his ‘modernist’ proseedure . no. a drawing, an over drawing an over and over drawing on a ceiling in a cave shelter in the dordogne valley 17-12000 year BP. a careful examination will reveal many outlines of animals overdrawn many times perhaps from the desire to make them move…
engraved pink pebble. found photo. proto-magdalenian. laugerie haute.
engraved pink pebble. found photo. proto-magdalenian from laugerie haute. abstraction ran through the art of prehistory often in association with the depiction of animals but with no counterpart in the visible world, expressing a reality that goes beyond representation. the laugerie haute cave shelter was occupied from the late périgordian to middle magdalenian, 24000 -14000 bp
engraved pink pebble. found photo. proto-magdalenian. laugerie haute.
engraved pink pebble. found photo. proto-magdalenian from laugerie haute. abstraction ran through the art of prehistory often in association with the depiction of animals but with no counterpart in the visible world, expressing a reality that goes beyond representation. the laugerie haute cave shelter was occupied from the late périgordian to middle magdalenian, 24000 -14000 bp